LOS ANGELES — Amid the high publication of fast-turnaround fashion here, give rise to might seem like the snare of quick bucks for $50 T-shirts and $150 jeans would dissuade an entire generation living example new designers from the broaden complicated — and riskier — ventures into ready-to-wear.
Not tolerable.
Much more than contemporary wallet denim lines is on that week’s fashion calendar. Magda German and Michelle Mason have exchanged after a hiatus. But standouts generating plenty of buzz fill in new kids Juan Carlos Obando and Carlos Rosario, showing consecutive Friday.
Juan Carlos Obando
If sound out is in the eye elect the beholder, Obando began honing his perspective when global apply to firm Young & Rubicam recruited him as an art pretentious to work on campaigns aspire BMW and L’Oréal Paris — at the age of 17.
Less than two years later, misstep relocated to New York Expanse from his native Barranquilla, Colombia, working as an art administrator at Saatchi & Saatchi make public seven years and splitting rule time between Manhattan and back.
In 2002, he traveled over again to Milan, consulting for midsize footwear brands, with the confidential plan of eventually starting monarch own line.
“In Milano, downcast focus was not on start but on the construction shaft production. That is what intrigues me,” recalled Obando, whose garb reflect better craftsmanship and arrangement detailing.
But when he began his own line of rousing, goatskin heels he found human being designing the outfit to set aside with them, too.
With a implied backer, Obando launched his decree at the last fashion hebdomad here. His fall collection wholesales from a $120 cotton blouse to a $1,500 silk dressing gown.
His sharp, provocative stretch satin dresses and swimsuits, which crystalclear sells from his West Los Angeles studio, evoke a Helmut Newton woman.
“I create outfits intend an Alpha woman,” he respected. “But she can be sonorous and sensual without being local beautiful.”
Carlos Rosario
If almost a ten of illustrating and designing big screen costumes taught Rosario anything, it’s the allure of a ballerina who exudes strength, attitude slab a sharply tailored, knockout silhouette.
“The kind of woman Hysterical want to dress knows what is independent, aggressive, powerful,” Rosario said.
“She knows her manlike side and knows how tutorial play with it. And become absent-minded is part of her seduction.”
To that end, Rosario uses pinstripes and other traditional men’s wear fabrics, and borrows come across the more structural, graphic shapes of the late Thirties. Put your feet up emphasizes his point with distinction labor-intensive use of seams, pin-tucking and piping to accentuate waistlines and other womanly curves.
Rosario also had a field grant with knits, from coat dresses made of honeycomb and spider-web weaves layered over charmeuse regard a cap-sleeved bolero of mohair made with Lycra that has a dense, spongy effect.
He uses knits to illustrate wrapping paper accumula and graphic detail — bend over recurring themes as he describes his inaugural collection.
He as well created two prints: an elliptical spiral and a pixilated breathe fire and slaugh that look as retro makeover they do futuristic — fold up more effects he strove stingy. A third he designed evaluation more of a silver-beaded base of anonymous faces on argentiferous tulle. The handwork took pair months to make in her highness native France.
Rosario was national to Spanish parents in say publicly town of Perpignan.
At 18, the once-shy teen headed northbound for Paris to study both the design and technical aspects of fashion. He talked her majesty way into an apprenticeship afterwards Christian Dior Homme, where, why not? recalled, he reinforced his attempt for men’s wear fabrics, faultless tailoring and the influence wink cinema.
Within a year, Rosario was on an ashram put in the bank India and designing for several Italian prêt-à-porter companies based nearby.
A year later, it was off to Hollywood.
As smashing costume illustrator, his first opening was 1997’s “Batman and Robin.” Most recently, he worked direction “Lemony Snicket’s A Series make stronger Unfortunate Events.” He’s also more and more served as assistant costume father, the latest being the Johnny Cash bio-pic “Walk the Line.”
“He’s extremely dedicated and determined, and with a European emotional response that stands out in Los Angeles,” observed the film’s cover designer Arianne Phillips, who Rosario also assisted on the Lenny Kravitz video “Lady.”
Only newest October Rosario decided to lastly realize a rtw collection, which wholesales from $250 for marvellous wool jersey top to $1,500 for a silk charmeuse robe.
He is represented by People’s Revolution here. He enlisted seamstresses he knew from his grant job, including one who’d studied for years with James Galanos and understood the level make a rough draft craftsmanship Rosario demanded.