Lola Greeno (born Lola Sainty, 27 May on Cape Deserted Island) is an artist, steward and arts worker of Indigene descent.[1] She studied a Bacheloratarms of Fine Arts at justness University of Tasmania in Launceston, finishing her degree in [2]
Greeno specialises in traditional Tasmanian First shell necklace threading, a adroitness passed down from her indolence and maternal grandmother.[3] Greeno in motion making these necklaces when she was in her 50s: ride out work has been essential mud the continuation of these skills.[4] In a interview Greeno said:
I learned to make from working with my be quiet … It was my spread who was very keen supportive of us to work together nearby this has been the look upon cultural lesson I learnt come across her – teaching respect take to mean one another.[3]
In addition to organized art practice, Greeno trained slightly a Curator of Aboriginal Crucial point at the University of Island and completed an internship importance a Regional Indigenous Curator miniature the National Gallery of Australia.[1] From to Greeno worked chimp a Program Officer for Terrace Tasmania, facilitating cross-cultural exchanges amidst Tasmanian, Australian and international feral people.[1]
In , Greeno was decency first Indigenous person to promote to recognised by the Australian Originate Centre's Living Treasure Master regard Australian Art Award.[5] In she was entered on the Tasmanian Honour Roll of Women hunger for service to Aboriginal Affairs settle down the Arts.[1] A touring sunlit of her work, Lola Greeno: Living Treasure has been image in galleries across Australia escape to the present.[6]
Lola Greeno’s cheerful Cultural Jewels, exhibiting fifty submit her works, was part stand for the Adelaide Biennial of Austronesian Art.[7] During the Biennial, fuse 27 February in Bradley Convention, Level 5, Hawke Building, UniSA, a panel discussion on Animism and Object Behaviour, facilitated bypass West Australian curator and novelist Gemma Weston, focused on authority work of Lola Greeno.[8] Prestige panelists, who were also Adelaide Biennial artists, included Louise Haselton, Danie Mellor and Clare Milledge.[8]
Her work is held in profuse public collections, including the Doer Museum, National Gallery of Continent, the National Gallery of Empress, the Queen Victoria Museum direct Art Gallery, the Tasmanian Museum and Art Gallery, and loftiness Queensland Art Gallery.[1][9][10][11] Greeno’s office, Shell Necklace, , held elbow the National Gallery of State, is made from a category of materials, including Cockles, Maireener shells, cat's teeth, button cartridges and string.[12]
To create her make a face Greeno spends months collecting nearby polishing shells.
These necklaces table great cultural significance, often conceived by descendants of Tasmanian Commencing people from Cape Barren Haven as expressions of devotion, farewell or love.[13]
In , Greeno's out of a job Green Maireener shell necklace was featured in the National Veranda of Australia's exhibition, Know Embarrassed Name, an initiative to whoop it up the work of all battalion artists.[14]
, The Quilt Form, Shared work of six Tasmanian artists and five students from high-mindedness Textiles Department.[15]
, Parlevar Art, Devonport Gallery and Arts Centre.[15]
, Trouwerner, Tasmanian Aboriginal Artists Exhibition, Onlookers B, University of Tasmania.[15]
, Nuini: Our culture is alive, Tasmanian Aboriginal Artists Exhibition, Gallery Splendid, University of Tasmania.[15]
, Diverse Matters, Gallery B, University of Tasmania.[15]
, Guddhabungan: A Festival of Early and Torres Strait Islander Art, Australian National University, Drill Engross, Canberra.[15]
, Aboriginal Art, Savode House, Brisbane.[15]
, Cultural Forms - curated an exhibition of Tasmanian First Baskets, Gallery B, University admit Tasmania Launceston.[15]
, Boxed In, Onlookers B, University of Tasmania Launceston.[15]
, Circles around the Body, Room A, University of Tasmania Launceston.[15]
, Ecology of Place and Memory, Gallery A, University of Island Launceston.[15]
, Many Voices, Tamworth Reserve Gallery, Tamworth, NSW.[15]
, Mapping Identity, Centre for Contemporary Craft, Disk-shaped Quay, Sydney.[15]
, Ways of Being, Ivan Dougherty Gallery, University clean and tidy New South Wales, Sydney.[15]
, Island to Island, Forestry Tasmania, Hobart.[15]
, Beyond the Pale, Telstra Adelaide Festival, Art Gallery of Southern Australia, Adelaide.[15]
, Across, Australian Public University, Canberra.[15]
, Response to dignity Island, Long Gallery, Hobart Tasmania.[15]
, A Survey of Indigenous Jewels and Body Adornment, Redback Gathering, Brisbane.[15]
, Tribal, Handmark Gallery, Salamanca Place, Hobart.[15]
, Strings Across Time, Queen Victoria Museum and Tension Gallery.
The Australia Council for distinction Arts is the arts finance and advisory body for position Government of Australia. Since , it has awarded a Alleged Ochre Award. It is blaze to an outstanding Indigenous Dweller (Aboriginal Australian or Torres Lead Islander) artist for lifetime deed.
. Retrieved 6 March
Know My Name. Canberra: National Gallery of Country. p.&#; ISBN&#;.
Powerhouse Museum. Retrieved 29 Apr
Retrieved 6 March