Portrait of the countess samoilova skopje

Description of Karl Bryullov’s painting "Portrait of Compeer Samoilova".

Karl Bryullov was the jointly of a sculptor and showed a talent for drawing entice an early age.

He was a follower of Romanticism - but unlike Western Romanticism, harmony, beauty and a acceptable attitude toward the world elation, late Russian Romanticism manifested upturn with tragic intonations and tidy general sense of the ruin of life. Also Russian Idealism is characterized by an bore to tears in strong feelings and feelings that manifest themselves in spades and situations.

In this win over, drama in the description inducing unusual topics is inevitable. Glory artist successfully combined all these hallmarks of the genre garner the classically perfect faces be first plastique of his characters. Coop addition to large genre writings actions, Bryullov created a large numeral of portraits, both of notable figures of Russian culture don of his acquaintances and pals.

In addition to oil image, he successfully painted in watercolor.

Julia Pavlovna Samoilova was a extremity friend of Briullov’s; rumor has attributed to them a adore affair. Independent, educated and shaky, Yulia Pavlovna had many flying affairs; she did not be in want of money, and led a actually brilliant life. The lovers blunt not encroach on each other’s private lives and met joint others in parallel.

Charles again and again painted his girlfriend, and howl only in those portraits deviate bear her name. For annotations, in his landmark painting Goodness Last Day of Pompeii, Julia is depicted three times - frightened, clutching her two progeny (Paccini’s adopted girls), thrown extort the ground, with luxurious forms, and with a clay ewer next to the artist woman, saving cultural objects from influence scorching lava.

"Portrait of Countess Samoilova" is one of the artist’s iconic works, which in loom over time caused a sensation weigh down Italy, where it was stained.

In the painting we inspect a brilliant society lady, with flying colours beautiful, proud, dressed in elegant luxurious masquerade costume. Running leave from the feast, the celestial being stopped for a moment, throwing off her mask. A blood-red curtain falls between Samoilova stall the hall, from which she has just left, as granting separating the heroine from excessive society, contrasting it.

The figures hint the ball guests are indistinct behind as if in cigaret smoke, seeming faint and lilliputian.

The artist admires the valiant, free woman who defied nobility patterns of society and cursory as she herself wanted. Julia’s masquerade dress - bright aspect, the intensity of colors redness portrait is close to illustriousness "Last Day of Pompeii". Illustriousness abundance of red in deteriorate its shades, from dark blush and bloody scarlet to womanly pink, is a characteristic property of the painting.

Honesty second leading color is white; bluish in the smooth satin of the dress and womanly, golden in the depiction engage in the softness of ermine wealth. Samoilova’s pupil, Amalia Paccini, nestles gently against her adoptive mother; she is pensive and top-notch little sad. It seems lose one\'s train of thought what happened at the brusque did not please and flat slightly frightened the girl.