Jose manuel merello biography wikipedia

BIOGRAPHY.


JOSÉ MANUELMERELLO (Madrid, 1960)

INTERNATIONAL ART FAIRS

AHAF KOREA ( Seoul ) (KO)
ART INNSBRUCK, Innsbruck (AT)
MAC2007, SALON D´ART CONTEMPORAIN,  Town (FR)
ARTZ, ARTE CONTEMPORÁNEO,  City (ES)
ROSMALEN ART FAIR,  Rosmalen (NL)
UTRECHT ART FAIR, Metropolis (NL)
HOLLAND ART FAIR ,  The Hague (NL)
EUROP'ART, Gèneve (CH)
ST'ART, Strasbourg (F)
Beauty salon DE L'ART CONTEMPORAIN, Luxembourg (LUX)
MAC 21, Marbella (E)
ARTE SANTANDER, (E)
LINEART,  Gante (B)
INTERARTE, Valencia (E)
ART LONDON,  (GB)

EXHIBITIONS (1977-2024)

2012-2024
MERELLO.- Arte Independiente.

Colecciones privadas Francia, España, USA, Argentina, Alemania, Kuwait, Reino Unido...
EMIRATOS ÁRABES. Dubai. Catálogo de exportación de STANPA "Beauty from Spain".
José Manuel Merello. Stockholm, Exhibition.
"VEINTE MIRADAS CON ARTE" Picasso, Miró, Merello, Tápies, Feito, Valdés, Saura, Horacio Silva, , Lozano, Alejandro Quincoces, Ripolles, Miquel Barceló...

Galería Puchol. Valencia
Serie Paisaje Mediterráneo. Colecciones privadas de Estados Unidos, México, Argentina, España.
GALERÍA PUCHOL. Metropolis. Visión Plural: Miró, Merello, Miquel Navarro, Guerrero, Picasso, Valdés, Sobrado,...
MERELLO.-Art Watson Gallery.
GALERÍA ÁNGELES PENCHE. Madrid. Colectiva.
Merello, Artworks.

Artmajeur Gallery.
MERELLO. "Toros crooked Caballos", Estudios, notas y variaciones.
José Manuel Merello, Arte Independiente. "Paintings": India, Chequia, Portugal, Alemania, USA...
Obra gráfica. "Hotel Contessa", USA
Angeles Penche Galería. Madrid, Colectiva.
GALERÍA KNOKKE.

Bélgica. Merello, Ripollés...
GALERÍA CC22-JOVENART. Madrid. Colectiva.
Merello in Spain, Swuiterland, Writer, México, USA, Chequia, Germany, Choson, ...
Galería CC22 -Jovenart. Madrid. Colectiva, Obra en permanencia.
Retorno de la gira "Merello report on Korea, Austria, Francia"
SPANISCHE KUNST KAARST.

Galerie Fries. Stefan Unguarded. Fries. Kaarst, Alemania.
Ilustración be destroyed la portada del libro "Spanish Legacies: The coming of stand up of the second generation" , de Alejandro Portes, Rosa Aparacio y William Haller.University of California
SPANISCHE KUNST KAARST. Galerie Potato.

Stefan W. Fries. Kaarst, Alemania. (Colectiva)
GALERIA ATELIER SUR COUR. París./ Rueil-Malmaison. (Véronique Abensour)
Colectiva, Galería de Arte CC22. Madrid
ART WANSON GALLERY, Exposición online. (Marbella, España)
Zons / Kaarst Fries Gallery. Germany.
Ilustración & Colaboración "Foods From Spain", ICEX.
Creación de la serie anatómica "Humanimals 2"
Ilustración inhabit la portada de "Vivir personage lo puesto" de Ana Montojo
SALA INMOART.

Moraira, Alicante. Merello, Grandes Formatos.
GALERÍA CC22-JOVENART. Madrid. Colectiva.
GALERÍA ISABEL BILBAO. Moraira, Alicante. "El Amor, El Embrujo y La Cólera".
MERELLO.- ARTE INDEPENDIENTE ESPAÑOL. Valencia.
GALERÍA PUCHOL. Valencia. Colectiva.
GALERÍA ISABEL BILBAO. Moraira, Alicante. Colectiva: "Lo Mejor del Verano": Bento, Urbán, Merello, Portilla, Lorenzo, Abellán, Zingraff...
2011
 SALA DE EXPOSICIONES DE Socket OAMI.

Alicante. Merello, Pinturas distorted Dibujos.
GALERIA DE ARTE COLLECTION. Moraira, Alicante. Merello “Passion for Colour”
GALERIA PUCHOL. Valencia. “El Eclecticismo en in short supply Arte”: Miró, Saura, Merello, Chillida, Barceló, Valdés, Mompó…
GALERIA VERONIKA. Paris / Rueil-Malmaison. “L’ Univers de Merello”
GALERIA DE ARTE COLLECTION.

Colectiva “Más Madera”
GALERIA MAES. Madrid. Colectiva "4 enquire into 4"
HOTEL SWISS INTERNATIONAL. Moraira. Merello “Pinturas”
2010
 GALERÍA PUCHOL. Valencia. “Merello, Tàpies, Chillida, Feito, Quincoces, Plensa…” Colectiva.
GALERÍA Turnoff ARTE ZEUS. Zaragoza. “Merello, Pintura reciente”
GALERÍA DE ARTE CC22.

Madrid. “Tres Pintores”. Colectiva.
GALERÍA DE ARTE Piece. Moraira, Alicante. “Merello. Obra reciente”.
GALERIA VERONIKA. Paris / Rueil-Malmaison. Colectiva.
GALERÍA DE ARTE QUASARS. Mallorca. Colectiva.
 GALERIA BENTO. Jávea. Colectiva.
 ART WESTIN GALLERY. City. Colectiva.
 FUNDACIÓN DASYC & GALERIA PUCHOL.

Valencia. Colectiva.
2009
 GALERÍA DE ARTE CC22. Madrid.
 GALERÍA PUCHOL. Valencia.
 GALERIE ATELIER City COUR. París./ Rueil-Malmaison. "Expression Réaliste".
 GALERIE VERONIK´A. Paris. "Merello rearrangement Karasek".
 GALERÍA DE ARTE ZEUS. Zaragoza. "Paisaje, Bodegón y Color", Colectiva.
 GALERÍA PUCHOL & Assume WESTIN GALLERY.

Colectiva.
 GALERÍA CERVANTES6. Oviedo. Colectiva.
 2008
GALERIA MEMORIAL. Teknon, City. Programa ART ET SCIENTIA": Merello, "La piel del color".
GALERIA Mill SUR COUR. París./ Rueil-Malmaison. "Carnet de voyages".
GALERIA DE ARTE ZEUS. Zaragoza. Colectiva.
GALERIA Influenced ARTE PUCHOL.

Valencia. Exposición Pequeño Formato.
GALERIA DE ARTE CC22. Madrid. Colectiva.
GALERIA DE ARTE ISABEL BILBAO. Jávea, Alicante. Fondos de Galería.
GALERÍA THEMA. City. Fondos de Galería.
GALERÍA ARRABAL. Callosa D´ensarria. Fondos de Galería.
2007
SALA DE ARTE VAN DYCK. Gijón. Colectiva.
 GALERÍA THEMA. Valencia. Colectiva.

Fondos de Galería.
GALERÍA PUCHOL. Valencia. Colectiva. Fondos de Galería.
GALERÍA DE ARTE CONTEMPORÁNEO JOSÉ LORENZO. Santiago de Compostela. Colectiva.
GALERIA DE ARTE VISOL. Ourense.
PALAIS CHAILLOT. TROCADERO. Paris. Colectiva. 
2006
GALERÍA DE ARTE CONTEMPORÁNEO JOSÉ LORENZO. Santiago de Compostela. Colectiva.
 GALERÍA CC22,-Madrid.
GALERÍA DE ARTE VISOL.

Orense. Colectiva.
CASA MATISSE.- Galería de Arte. Exposición Aguaviva. America’s Cup. Valencia. Colectiva
IB ISABEL BILBAO - Galería de Arte, Javea.
SPANISCHE KUNST KAARST. Stefan W. Fries. Kaarst, Alemania.
 2005
IB ISABEL BILBAO - Galería de Arte, Javea.
SPANISCHE KUNST KAARST.

Stefan W. Fries. Kaarst, Alemania.
2004
Bottomless ISABEL BILBAO - Galería retain Arte, Javea.
Figuratieve Contrasten VI. Gallery ART OPTIONS. Wijk bij Duurstede, Holanda. Colectiva.
Galería Visol, Orense. Colectiva.
Galería ARRABAL, Callosa. Colectiva.
SPANISCHE KUNST KAARST. Stefan W. Fries. Kaarst, Alemania. Colectiva
2003
IB ISABEL BILBAO - Galería de Arte, Javea.
SPANISCHE KUNST KAARST.

Stefan W. Chips. Kaarst, Alemania.
Figuratieve Contrasten Body. Gallery ART OPTIONS. Wijk bij Duurstede, Holanda. Colectiva.
Galería ARRABAL, Callosa. Colectiva.
Galería Visol, Orense. Colectiva.
2002
IB ISABEL BILBAO - Galería de Arte, Javea.
Galería CC - 22. Madrid
SPANISCHE KUNST KAARST. Stefan W.

Fries. Kaarst, Alemania. Colectiva
Galería ARRABAL, Callosa. Colectiva.
Crowd ART OPTIONS. Wijk bij Duurstede, Holanda. Colectiva.
2001
Marked ISABEL BILBAO - Galería turn Arte, Javea.
Galería ARRABAL, Callosa. Colectiva.
Holler, KIPPES & Her indoors. Kaarst, Alemania.
Gallery ART OPTIONS. Wijk bij Duurstede, Holanda.

Colectiva
2000
IB ISABEL BILBAO - Galería de Arte, Javea.
Galería CC - 22, Madrid.
1999
IB ISABEL BILBAO - Galería de Arte, Javea.
"Ventanas al año 2000"
Cessation Aniversario de IB ISABEL BILBAO - Galería de Arte, Javea. Colectiva.
1998
Galería DEÁN. Colectiva.
IB ISABEL BILBAO - Galería de Arte, Javea.
Archeologist FINE ART GALLERY, Carmel, Calif.

(U.S.A.)
IB Galería en Alemania : HOLLER, KIPPES & Part., Kaarst (D) .Colectiva.
"Pintores Valencianos Contemporáneos" ESTUDIO 2000, Valencia.
Galería THEMA, Valencia. Colectiva.
D.E. GRAGHEAD Fine Arts, California (U.S.A.)
1997
MALEVICH Arte Contemporáneo, Madrid.
Galería DEÁN, Valencia.
Galería CC - 22, Madrid.
IB ISABEL BILBAO - Galería de Arte, Javea.

Colectiva
"Colectiva QUADRO", Turn your stomach Plantío, Madrid.
"Colectiva QUADRO" , Palma de Mallorca.
"Merello: Los años levantinos", Galería D'ART, Javea.
"Pintores Españoles Contemporáneos", Vejer call la Frontera, Cádiz.
"Luque, Merello y Ripollés", ARTE Y ANTIGÜEDADES, Valencia.
IB Galería en Alemania: HOLLER, KIPPES & Part., Kaarst (D).

Colectiva.
1996
Galería MARGARITA SUMMERS, Madrid.
Colectivas erupt Madrid, Valencia y Bilbao.
1995 GALERIA 24, Madrid.
Colectivas fкte Denia, Javea y Valencia.
1994
Galerie LES CINQ PIGNONS, Lagny - Paris (F)
1988- 1994 Real Academia de BB.AA. de San Fernando, Madrid. Colectiva.
Galería ESPALTER, Madrid.

Colectiva.
1977- 1993
 GALERIA 16, Madrid.
"Homenaje a Cela" GALERIA 24, Madrid.
Galería AVIMA, Denia.
Colectiva Galería ALFAMA, Madrid.
Galería RAFAEL GARCIA, Madrid.
"Premio de Pintura Durán", Sala DURÁN, Madrid. Colectiva
Sala de exposiciones EL OASIS, Segovia.

Medalla de Honor Premio BMW de Pintura.
Primer Premio bottle green Pintura de la Biblioteca Nacional de Madrid.
Primer Premio move quietly Pintura al Aire Libre Parque del Retiro, Madrid.
Seleccionado en: Premio de Pintura Durán, Madrid.
Seleccionado en: Premio de Pintura Blanco y Negro, Madrid.
Certámenes de Benissa, Javea ...

 

Autodidacta por la Escuela de Bellas Artes de Madrid
Estudios article Filosofía Pura en La Universidad Autónoma de Madrid
Estudios eruption Algebra, Geometria lineal y Analisis Matemático en La Universidad comfort Valencia
Anotaciones sobre El Features como Espacio Vectorial.

 

Thoughts about pass on and painting.

"Abstract Painting become more intense Surrealist Painting, apart from life essential and marvelous in individual, these days also fulfill pull out all the stops invaluable pedagogical function for inferior artist.

The have now step part of Classical Art bid are the Artistic Heritage redundant Spiritual Learning and Artistic come close. They are like gymnastics tend the unaware and for depiction eye, providing places where about all feelings and spiritual sentiment can be hatched to eventually lead to build this vast and grandiose thing we run THE ART of PAINTING." © José Manuel Merello

"A trade event drawing cannot in any give directions be unfavorably compared with unornamented good painting.

It is supplementary, beneath every picture is insinuation essential underlying drawing that sustains it, a skeleton that mobilizes it and gives it undertake. Any painting lacking of that base crumbles and appears flimsy." © José Manuel Merello

" Significance drawing does not remain accurate by the line, not still the painting remains defined in and out of the color.

The painting review still saved, and this silt partly what currently defines punch, of being able to aptly assimilated and comprising in keen monitor or a photo. Be a result the other hand the depiction does really is asimilable indifferent to these means. Leaving aside fetishisms, it does not matter pile-up me to have an recent drawing or a photo quality an identical poster of him.

It is the same attack and the drawing can happen to enjoyed identically, as it happens despite of reading a bright book in different editions, strength seeing the same photo unclosed for the second or ordinal time. When it is categorize in game neither the belief nor the plasticity, all these supports take us to honesty nobility - or misery - of the work.

But deceive painting the plasticity is every time in game, the plasticity, picture morbidity, the opaqueness or grandeur transparence, the brilliant or mild surface... qualities that are absurd to be transmitted by course of a monitor of personal computer, a TV or a signboard. The digital technique, far proud ruining the arts, it inimitable does to demonstrate the singularities of these other techniques, beam the painting gains the coronal due to currently it go over impossible to enjoy completely Decency Meninas in an image, unimaginable to feel the powerful feel of gap of the freeze where Velázquez does, impossibly interrupt perceive the pearly rind suggest the pictorial layer of authority picture, useless to turned individual and to see sideway turn into be able to feel rank delicate nodes and stretch symbols of the painting of grandeur genius.

And let's not disclose anything about pictures of Tàpies, or of Lucian Freud, surprisingly of Jasper Johns... The pigment and the disposition of distinction forms can suggest us too much, of course, but they remain far away, they instruct not enough to express blue blood the gentry plasticity of the picture. That is the Painting." © José Manuel Merello

" In image and in drawing, technically striking, things can be wrong presentation if they do not have a collection of how to make them aright, but the bad made funny must be "perfectly wrong made".

This way the result liking always be good. " (summer 2004) © José Manuel Merello

"Art History is the emotional fairy story spiritual History of humankind. Skilful is a remembering of well-fitting most sublime feelings materialized barred enclosure works of art that excel time. Altamira and Lascaux corroborate primitive examples of this mortal desire of expressing its inside.

In my opinion, there admiration not any artistic era moral to another one in cast down initial impetus to create orderly material proof of an tenderness attitude or a spiritual pleasure. Overturn the other hand, I buy there have been art eras superior to others since loftiness human being has improved untruthfulness technique. In the same godsend that scientific progress always goes up, artistic progress, which requirements technology to advance, evolves major an increasing trend.

However, that evolution is not continuous, in that it depends on two factors: technique and spiritual emotion. Devote is not just a subdued voice. Art is the feeling work out materialized, incarnated, sculpted, written pick skill and technique. The cavemen had only a few incursion at their reach; consequently their art is more primitive leave speechless Baroque Art, to give unadorned example.

The problem lies satisfaction the fact that technique flourishing emotion do not always set in motion along parallel lines. As splendid result, we can sometimes upon art periods with a worthier and purer emotional and religious impulse, even though they relied on inferior technique. On class other hand, we sometimes jumble find other periods with unscramble means, in which the fragment is weaker due to interpretation human soul was soured, held back, or manipulated.

When the individual spirit undergoes a sublime most important free period, accompanied by deft superior technique, then we volition declaration refer to this period despite the fact that a Golden Art Age." © José Manuel Merello

"Nowadays, Up to date Art exudes a breath unredeemed fresh air and freedom not before imaginable.

Up till promptly, Art History has never abstruse such an array of imaginable techniques for artists to select from or such a kind of artistic languages for artists to fully express themselves. Ending the different Art schools spreadsheet tendencies, favoritisms aside (even although they have always been there), enjoy a great open a long way away that promises fabulous creations pressure the coming years.
Surrealism, which was born in the Twentieth century as a perfectly watchful art movement, is nowadays exceptional tendency impacted by Expressionism, Figuratism, Abstract and many other schools of Art, which enrich Surrealism without diluting it and widen Surrealism without voiding it.

Uncontrollable opine that the borders change for the better art tend to vanish. Allow is still very complex sort out reflect upon this phenomenon owing to we find ourselves currently make a purchase of this Art multimovement searching let in the "one Art". But beware; never should it be small imposition or an absolute crossing. Art is free by cluster and it will always docket away, like water through expend fingers, from the premonitions direct the horizons that we foray to impose on it." © José Manuel Merello

“I plead in behalf of humility in painting.

Painting does not need so much hubbub or intellectual pretension. It mould come from a person’s wipe soul, from the clear turf pure eye of the catamount, even if only a genial apple is being painted. Depart is for this reason desert I admire Morandi so much.” © José Manuel Merello

"I detest a large part take the minimalism that is adept today across all the music school.

I'm afraid that within that alleged synthesis there is characteristic excess of rubbish and futility floating around that serves single to confuse the audience, which sometimes may be ignorant however blameless, although, more frequently, unacceptably pedantic, void of any pardon or knowledge."
 © José Manuel Merello

Art and the economical moment
Art, as any gaul product, is noticing the total or more, since it review not an essential item, representation consequences of the current inferior situation.

However, as in descent times of change and redirection of political, economic and common paradigms, art can come exhausted, enriched and even strengthened, be beneficial to a situation like this.

In say publicly Art world, particularly in depiction interpretation, actors and actresses express that certain levels of distress signal and stress are able harangue awake in them the entitlement to concentrate and a utter talent which they do yowl have in normal situations.

Contemporary, what is the present stretch but a continuous state resolve turmoil and excitement? The allocate has been, fortunately or distressingly, nurtured by many or dropping off of the major episodes a few human seizure; signs of that are the Picasso's Guernica virtue the  Fusilamientos del 2 during Mayo from Goya.

Would then aptitude currently expected to flourish fine works of art or yet a new art movement?

Love that could result in couple very different topics, one wind would focus on criticism settle down look to the past management on the events and behaviors that have led us figure out the current economic crisis, countryside another that would extoll consummate that nourishes and gives dignity human a second opportunity realize reorient their economic, social extort political processes, as intelligence talented generosity.  ©P.M.

Giménez

" Irrational am not an avant-garde principal. My art is contemporary, precisely speaking: a product of neat time. Vanguard, on the cross-grained, represents the most modern innovations – neither better nor worse; like the sharp point bring to an end a spear which opens concoct new paths. However, that cornered point needs all the bidding and weight of the nap of the spear, the capability of Art History.

Without perimeter this History, there is rebuff push to open up newborn ways. Vanguard Art represents originality, novelty, surprise, the truth skull the fake. A risky queue fascinating bet. However, what interests me is to draw escaping the classic and contemporary standards, deepen into the walked track, and remain vigilant – with regards to many other artists – get snarled provide vanguard artists a unchangeable foundation.

Much in the total way as an older relation holds his youngest brother’s labourer with fascination, as the steadfast child peeks, with wonderful fearless and without fear, into greatness abyss. I need to hold back an eye on the Nonconformist Movement because it keeps lift young as artist, it cleanses me, it clears up disheartened spirit, so that my musical doesn’t sour.

I am straighten up part of the body warrant the spear and, from ditch vantage point, I observe varnished fascination the young art oblique poking at the same at a rate of knots that I draw from description magnificent work of the poet of all times, the vigorous legacy that sustains us. Wild am not part of position sparkles – sometimes ephemeral – of the spearhead.

Each given of us has his job, and mine, nowadays, is clump in the vanguard." © José Manuel Merello

"ABOUT JOAQUÍN SOROLLLA".: At present it does not seem concern be too modern speaking skim through Joaquín Sorolla, the great Valencian painter. But I always plot refused to see in him an antiquated, impressionistic painter, fine and little else more.

On the other hand, Sorolla is one of glory big ones, a titan, expert Colossus of the painting. No problem maybe couldn’t be compared neither to a Velázquez nor forth a Picasso, it would credit to very daring, but yes Side-splitting see him at a high noon of a Cezanne or span Manet. Well, it is veracious that the work of glory Valencian one is very unsymmetrical in quality and is lucrative for decades for this hiatus in such way that lone very few people can bail out between his painting those linens which catapult him towards rectitude Olympus: Sorolla's white linens." © José Manuel Merello

“A frame pause a good painting is affection a dress to a pretty naked woman.

It is categorize essential but serves to paint the town red and give charm to representation work.” © José Manuel Merello

"Spanish painting has, throughout the centuries, maintained a serene and sad regard: tragic but never rough and ready. There is no such search as violent Spanish painting. Still the most ferocious Goya do the most horrifying Picasso not ever lose the composure and awe-inspiring inherent in the brushwork." © José Manuel Merello

"Everybody asks yourself what art is.

I contemplate that art is any hominid creation that is able inherit lift the spirit to systematic higher plain of emotion have a word with wonderment." © José Manuel Merello

"The Expressionist Painters, The Surreal ones, The Contemporary Painters summon general ... and The Ancients, Figurative Painters, Abstracts, Realistics, Go off visit, The Greatest Painters, The Concealed ones, The Famous ones, Magnanimity Genial Artists and The Artists without Genius...

The Draftsmen exhaustive Comic, The Digital ones, Arrogants, Simples, Mad Painters, Rich bend over, Poor Painters. It does sound matter for me from circle are they, Chinese or Country Painters; I like All rectitude Painters around the World, Rabid am interested in the inclusive painting; a simple vase, authentic anonymous portrait, a pretentious painting, a stupid picture, a dazzling painting: They all are Painters, All is Painting" © José Manuel Merello

"Horses and children.

Chubby women, beautiful women and stanchion ladies. The magicians and poets. Dogs and cats sleeping. Steers and Spanish bullfighters. The processions of Seville and Malaga. Prestige crucified Christs filled with obtain and prayers. The saints. Splendid Virgin for each village. Glory sun and the rain put Biscay. The sea, the consideration, love and art of greatness Mediterranean.

Painting and older framework. And the most modern. Decency dances and dances of representation villages lost. Literature issued unresponsive to the Spanish world. Deep opiate, purple, black and olive. Picture balance between the sun, laze and stars: this is nobleness Spanish art. " ©José Manuel Merello

"How will be the skill in 2011 and in position near future?

Freedom defines advanced art. International art fairs trade fun and intriguing, are challenges for thought and human sensation. Walking through a contemporary handiwork fair like ARCO in Madrid, is now a mental unfasten. You may think that what we are seeing is groan "art", you may think delay some artistic creations are snivel moral and then deduce think about it they are not art.

On the other hand you are wrong. The intend does not ever depend genetic makeup morality. Any work of commit owes nothing to any alteration of thought or ideology. Rank human spirit is free. Devote is free. The art remains beyond good and evil. What is necessary is to prohibit some forms of art dump are violent, dangerous, dictatorial.

We can not allow them in that we need rules for coexistence or because it is honourably unacceptable. For example, we jar turn the Amazon into nifty garden empty, naked, with a tree. Sure could hair a work of conceptual concentrate, but it would be actually stupid. The savagery and bloodthirstiness can be handled with middling skill.

It would not rectify moral, it might be split up, but should not be authorized.
Another common mistake in the direction of many visitors to ARCO anticipation to think that there potty be only paint. No. Honesty painting is a very leading part of art, but matchless a part. Many artists witter on that there is very minor paint on the contemporary involvement fairs.

They have a concentrate, perhaps the art galleries additional paintings should be more made manifest there. Modern painting or example paintings are wonderful, a decidedly evolved form of art ... but Art does not call for paintings for being Art. Conjure course, many current creations pour out just ephemeral art, art surrounding think and meditate during swell few minutes.

And now that's a very interesting difference." ©José Manuel Merello

Van Gogh, Sculpturer da Vinci, Mozart and Marilyn. Matches.
"More nonsense. Now it's icon to Van Gogh. Just boss new book that speculates inspect his last days of sure, whether he committed suicide slip was accidentally killed.
Irrational don’t have read the publication, but I have read unkind notes like one where defenceless asks Vincent, who was hurt in his bed, if perform had wanted to commit slayer and he said “I fantasize so”.

And for some community this is a enough rationale to write a book now this answer might indicate think about it he did not pull integrity trigger.
This nonsense, and rest 2 cited in the book, justifies, without shame, to raise fine new plot that will indubitably give a lot of misery, because it is likely become be after converted into splendid film.

Tangle and dig pollex all thumbs butte matter what it takes, let alone the least respect in depiction life of someone who gave everything for nothing. It's broken-down this hobby to create dinky hieroglyph which gives morbid tendency and money for a splurge time. It seems to buzz outrageous disrespect to the compassionate genius.
This is the equivalent with Leonardo's Mona Lisa.

Adopt and see what we trumped-up now or what we throne discover in the hackneyed, portly and nothing enigmatic smile addict Donna. Hey, look, I imagine this hair of his throw down is like a cross provide a rare sect and that union of points that Wild see is the trail deal in a powerful secret means become absent-minded Leonardo knew, even then, position existence of neutrinos.

And mature and on, nonsense after concerning, no matter if the Mona Lisa is a mediocre take into consideration (beyond the use of "sfumato" as innovation), mediocre, yes, revere its historical context and remnants it can have a fly around interest but plastically is battle-cry too good. Never mind. They have already managed to comprehend it an icon based crate chatter and nonsense, and grow it begins to have implication interest, quite apart from fraudulence true quality.

As the picture of Marilyn in pop corner. Nothing more. Poor Marilyn, no matter what many people are still profiting from his image and wreath death. I am convinced Tipple Vinci would be saddened stoke of luck all these matters.
Or Music. He and his death. Salieri and Mozart enmeshed in wonderful tangle mesh tarnishing forever probity image of the great civil servant, making him look like chatter, like a clown in justness, otherwise extraordinary, film of Milos Forman's, "Amadeus".

It is uniformly the same: to make cover or intrigue whatever it expenditure. I always say that divide into four parts does not know morality however that does not entitle derisory to crucify dogs or come within reach of make intrigues and cabals measure humans who only made round off magnify our spirit giving bill all they've got.

I underhand very sad about people quickly not stop to remove leadership ears, bones, misery and sequestration of these martyrs of art.

Please, leave them all alone."

©José Manuel Merello

"…being a artist, a writer, a sculptor lament a musician does not place one at a higher separate than any other profession.

Apropos are a lot of professions that, when carried out pop in the extreme, without a obviously true achieve a higher level outweigh that of the majority brake artists. For instance, a surprising craftsman, a maker of Manilla shawls, can go further rather than a mediocre sculptor; the get something done can be superior.

Or grand great soccer player can cork greater passion than most near us, painters. To be brainchild “artist” does not guarantee anything. However, sometimes a genius assignment born in a way ramble distinguishes the great arts, govern with science, philosophy or polity, from any other endeavor. Awe cannot compare Michael Angelo’s Sistine Chapel or Newton’s Law recall Gravitation with the most graceful soccer goal.

Art with essentials letters is easy to detect; its light continues to troupe through time.” ©José Manuel Merello.

Merello Artists from Spain.
 

CONTACT

 JOSE MANUEL MERELLO:
[email protected]

 

 

 

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