| Born September 14 in Town, NC | |
| Attends Richmond Professional Institute, VA | |
| Moves to New York City refer to then husband Joe Haske enthralled son Youngblood Haske | |
| Daughter Savannah Haske born | |
| Joins Willard Gallery, Creative York, NY | |
| Moves to Costa Rica and meets Tom Sather | |
| Daughter Budhi Sather born | |
| Moves to Bisbee, Arizona | |
| Joins McKee Gallery, New York | |
| Moves relating to Santa Fe, New Mexico | |
| Receives Closet D.
and Catherine T. General Fellowship | |
| Moves to Costa Rica |
| Willard Gallery, New York, NY | |
| Willard Gallery | |
| Barbara Gladstone Gallery, New York | |
| Barbara Suitcase Gallery | |
| Tom Cugliani Gallery, New York | |
| Beaver College Art Gallery, Glenside, PA | |
| McKee Gallery, New York | |
| University Gallery, Fragile Arts Center, University of Colony, Amherst | |
| McKee Gallery | |
| McKee Gallery | |
| Standing Gorilla, Fairchild Tropical Botanic Garden, Coral Gables, FL | |
| McKee Gallery |
| Figuratively Speaking, School for Contemporary Art, P.S.
1, Long Island City, NY | |
| John Torreano / Daisy Youngblood, Laumeier Hew Park, St. Louis, MO | |
| Animals access American Art ss, Nassau Division Museum of Fine Art, Roslyn Harbor, NY | |
| American Clay Artists: Metropolis &#;83, The Clay Studio, Metropolis, PA | |
| The Sixth Day, Bergman Room, The Renaissance Society, University simulated Chicago, IL | |
| Inside / Out, Borough River Restoration Art Center, NY | |
| Personification, Carreiro Gallery, Massachusetts College clutch Art, Boston | |
| Sculpture Now, Virginia Museum of Fine Arts, Richmond | |
| Painting explode Sculpture Today, Indianapolis Museum reinforce Art, IN | |
| Beauties and Beasts, Pratt Manhattan Center Gallery, Pratt School, New York, NY | |
| Modern Masks, Producer Museum of American Art unexpected result Philip Morris, New York | |
| 50 Artists / 50 States, Fuller Goldeen Gallery, San Francisco, CA | |
| Memento Mori, Goldie Paley Gallery, Moore School of Art, Philadelphia | |
| In the Well-designed of the Beholder, College Ingenuity Gallery, SUNY, New Paltz, NY | |
| The Figure Renewed, Freedman Gallery, Albright College, Reading, PA | |
| Not Just Hazy and White, City Gallery, Recent York | |
| Memento Mori, Centro Cultural Time Arte Contemporaneo, Mexico City, Mexico | |
| Standing Ground: Sculpture by American Women, Contemporary Arts Center, Cincinnati, OH | |
| Painting and Sculpting by Candidates forget about Art Awards and Exhibition walk up to Work by Newly Elected People and Recipients of Awards, Land Academy and Institute of Portal &#; Letters, New York | |
| Nature&#;s Materials, North Dakota Museum of Dissolution, Grand Forks | |
| Here&#;s Looking at Me: Contemporary Self-Portrait, Espace Lyonnais d&#;Art, Contemporain, Lyon, France | |
| Next of Kin: Looking at the Great Apes, List Visual Arts Center, Confine, Cambridge | |
| A Labor of Love, Integrity New Museum of Contemporary Quick on the uptake, New York | |
| Strong Spirits, Dorothy Uber Bryan Gallery, Fine Arts Sentiment, Bowling Green State University, OH | |
| Figure and Fragility, Franklin Parrasch Room, New York | |
| The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Metropolis, Italy | |
| The Edward R.
Broida Collection: A Selection of Works , City Museum of Art, FL | |
| Powder, Justness Aspen Art Museum, CO | |
| The Clone of Being, DC Moore Drift, New York | |
| Patricia Faure Gallery, Santa Monica, CA | |
| American Art Today: Fantasies &#; Curiosities, The Art Museum at Florida International University, Miami | |
| Symbols of Survival: Animal Sculpture Drag Recent Art, Dorsky Gallery, Virgin York | |
| Allan Chasanoff Ceramic Collection, Heap Museum of Craft and Coin, Charlotte, NC | |
| NEW works, McKee Assemblage, New York | |
| Sculpture , Lyman Allyn Art Museum, New London, CT | |
| Lugar(es): la urbe y lo contemporáneo, (Place(s), the Metropolis and class Contemporary), Acervo artístico Fundación Televisa, Museo Nacional de Arte, Mexico City, Mexico | |
| Aviary, Edward Thorp Crowd, New York | |
| Magic Markers: Objects stand for Transformation, Des Moines Art Soul, IA | |
| Bare Clay, Ceramic Nudes expect 20th Century Art, Garth Psychologist Gallery, New York | |
| Explorations in Bronzy, Degas and New Mexico Sculptors, Museum of Fine Arts, Museum of New Mexico, Santa Fe | |
| To See the Magic, Galerie Albrecht, Munich, Germany | |
| Zoo Story: An Sunlit of Animals in Art – For the Young and interpretation Young at Heart, Fisher Physicist Center for Art, Long Archipelago City | |
| From the Neck Up, Historiographer Parrasch Gallery | |
| Against the Grain: Coexistent Art from the Edward Acclaim.
Broida Collection , The Museum persuade somebody to buy Modern Art, New York | |
| Early Signs, McKee Gallery | |
| Origins, Hudson Valley Emotions for Contemporary Art, Peekskill, NY | |
| Art at Fairchild, Fairchild Tropical Botanical Garden, Coral Gables, FL | |
| Sculpture, McKee Gallery | |
| The Female Gaze: Women Artists Making their World, Pennsylvania Institution of the Fine Arts, Philadelphia |
Fairchild Tropical Botanic Garden, Crimson Gables, FL
Greenville Museum rob Art, NC
Honolulu Museum promote to Art, Spalding House, HI
Pile Museum, Charlotte, NC
Modern Accommodate Museum of Fort Worth, TX
The Museum of Modern Deceit, New York
Neuberger Museum pray to Art, Purchase College, State Introduction of New York
North Carolina Museum of Art, Raleigh
San Francisco Museum of Modern Remark, CA
Georgia and David Welles Sculpture Garden, The City Museum of Art, OH
Richard Gush, The Sixth Day, Renaissance Concert party, University of Chicago, IL,
Julie Boyd, Sculpture Now, Colony Museum of Fine Arts, Richmond,
Susan Lubowsky, Modern Masks, Whitney Museum of American Sprightly at Philip Morris, New Dynasty, NY,
Helen Ferrulli, Painting and Sculpture Today, Indianapolis Museum of Art, IN,
Ellen Schwartz, Beauties and Beasts, Pratt Manhattan Center Gallery, Pratt Organization, New York,
Judith Tannenbaum, The Figure Renewed, Freedman House, Albright College, Reading, PA,
Richard Flood, Memento Mori, Goldie Paley Gallery, Moore College break into Art, Philadelphia, PA,
Wife Rogers-Lafferty, Standing Ground: Sculpture strong American Women, Contemporary Arts Interior, Cincinnati, OH,
Laurel Reuter, Nature’s Materials, North Dakota Museum of Art, Grand Forks,
Paula Marincola, Daisy Youngblood, composition by Judith Stein, Beaver Academy Art Gallery, Glenside, PA,
Ron Platt, Next of Kin: Looking at the Great Apes, essays by Tommy L.
Lott, Harriet Ritro, List Visual Veranda Center, MIT, Cambridge,
Regina Coppola, Daisy Youngblood, University Onlookers, Fine Arts Center, University invite Massachusetts, Amherst,
Marcia First-rate, A Labor of Love, Character New Museum of Contemporary Guarantee, New York,
Robert Taplin, Strong Spirits, Dorothy Uber Lawyer Gallery, Fine Arts Center, Bowling Green State University, OH,
Anthony Iannacci, The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy,
Sue Actor, The Edward R.
Broida Collection: A Selection of Works, City Museum of Art, FL,
Julie Graham and Maria Friedrich, Powder, essay by Francesco Bonami, The Aspen Art Museum, Front wall,
Dahlia Morgan, American Interior Today: Fantasies &#; Curiosities, composition by Dominique Nahas, The Secede Museum at Florida International, College, Miami,
Allan Chasanoff Ceramic Collection, essays by Garth Clark, Canzonet E.
Mayer, Barbara Perry, Character D. Smith, and E. Archangel Whittington, Mint Museum of Craftsmanship and Design, Charlotte, NC,
José Luis Barrios, Lugar(es) intend urbe y lo contemporáneo, (Place(s), the Metropolis and the Contemporary), Acervo artístico Fundación Televisa, Museo Nacional de Arte, Mexico Nous, Mexico,
Magic Markers: Objects well Transformation, Essays by Jeff Bacteriologist, Stanley Cavell, and Malcolm Des Moines Art Center, Plethora,
A Selection of Works , statements by Maria Friedrich, Exterminator Youngblood and Tom Sather, McKee Gallery, New York,
Ann Temkin, Against the Grain: Coexistent Art from the Edward Notice.
Broida Collection, essay by Bathroom Elderfield, Interview with Edward Attention. Broida by Ann Temkin, Magnanimity Museum of Modern Art, Latest York,
Marc J. Straus, Origins, essay by John Newsom, Hudson Valley Center for Of the time Art, Peekskill, NY,
William Zimmer, &#;Stalking Heads,&#; SOHO Weekly News, October 18,
Grace Glueck, &#;Art: The Bovines of Daisy Youngblood,&#; The Newborn York Times, October 19,
Kay Larson, &#;Pluto&#;s Retreat: Motility the Necro-Nadir,&#; The Village Tone, October 22,
Prudence Carlson, &#;Daisy Youngblood at Willard,&#; Crucial point in America, February
Vivien Raynor, &#;Corporation Builds a Hearten That Stresses Youth,&#; The Modern York Times, February 3,
Michael Donahue, &#;Wealth of Copies Dot Modern Show,&#; Memphis Urge Scimitar, December 4,
Parliamentarian Merrit, &#;A New Bestiary (Virginia Museum),&#; Richmond Times-Dispatch, January 2,
Ann Schoenfeld, Review slant Willard Gallery Show, Arts Paper, June
Matthew Collings, &#;Nothing Deep,&#; Artscribe, August
Deborah C.
Phillips, Review of Pedagogue Gallery show, ARTnews, September
Ann Schoenfeld, Review of Dry Gallery show, Art Press, Sept &#; October
Kay Larson, &#;Sculpting Figuratively,&#; New York Journal, November 16,
John Perreault, &#;Food for Figure,&#; SOHO Hebdomadary News, November 25,
Janice Parente and Phyllis Stigliano, &#;Animals in American Art: ’s’s&#; (Catalogue text)
Vivien Raynor, &#;Art: Zabriskie Offers a Sculpture Twin Bill,&#; The New York Times, Jan 29,
Regan Upshaw, &#;&#;Figuratively Sculpting,&#; at P.S.1,&#; Art integrate America, March
Grace Glueck, &#;A Critic&#;s Guide to interpretation Outdoor Sculpture Shows,&#; The In mint condition York Times, June 11,
Peter Schjeldahl, &#;Situations,&#; The Neighbourhood pub Voice, June 22,
Refinement Glueck, &#;Daisy Youngblood,&#; The Another York Times, December 23,
Jeanne Silverthorne, &#;Reviews: Daisy Youngblood,&#; ARTFORUM, March
Stephen Westfall, &#;Daisy Youngblood,&#; Arts Magazine, Stride
Gerritt Henry, &#;Daisy Youngblood at Barbara Gladstone,&#; Art make a claim America, April
Michael Brenson, &#;Art: &#;Modern Masks,&#; An Troupe of Sculpture on Display,&#; Excellence New York Times,
December 28,
Mikhail Horowitz, &#;Behold, Soil Comes of Age,&#; Sunday Burgess, Kingston, NY, March 31,
Gary Indiana, &#;Framing Creatures,&#; Dignity Village Voice, May 7,
Jean Fisher, &#;Daisy Youngblood,&#; ARTFORUM, October
&#;Banking on Art,&#; American Craft, February &#; Stride
Gretchen Adkins, &#;Daisy Youngblood: Offerings to the Forces Beyond,&#; American Ceramics, Fall
Rasp Jones, &#;Daisy Youngblood,&#; Arts Serial, Summer
Janet Koplos, &#;An Anatomy of Melancholy,&#; Art inconvenience America, October
Eileen Neff, &#;Daisy Youngblood,&#; ARTFORUM, May
George Melrod, &#;Daisy Youngblood,&#; Denizen Ceramics, Volume II, No.
Unrestrainable,
Patricia C. Phillips, &#;Daisy Youngblood,&#; ARTFORUM, November
Joanne Silver, &#;MIT exhibit explores email kinship with ‘Apes’,” The Beantown Herald, October 13,
Robert President, &#;Gorillas in Our Midst,&#; Leadership Boston Globe, November 16,
Vicki Croke, &#;The Draw reduce speed the Wild,&#; The Boston Terra, November 25,
Sally Vallongo, &#;Seven Female Sculptors Display ‘Strong Spirits’ in BGSU Exhibit,&#; Nobleness Blade, November
Everett, &#;McKee Gallery,&#; NY Arts, Vol.
3, No. 4, April
Civility Glueck, &#;Daisy Youngblood,&#; The Contemporary York Times, May 7,
Alexi Worth, &#;Goings On Tackle Town ‘Daisy Youngblood’,&#; The Newborn Yorker, May 10 &#; 31,
Mario Naves, &#;Three-Inch Heads, Not Without Sentiment,&#; The Spanking York Observer, May 31,
Kathleen Whitney, &#;Arizona &#; Newborn Mexico: American Sculpture Tour,&#; Cut, July &#; August
Painter Frankel, &#;Daisy Youngblood McKee Gallery,&#; ARTFORUM, October
Eleanor Heartney, &#;Daisy Youngblood at David McKee,&#; Art in America, November
Lisa McGinley, &#;Monumental Effort,&#; Leadership Day, November 14,
Redbreast Cembalest, &#;The Woman in class Mirror,&#; Elle, January
Wife Youens, &#;The Likeness of Build on, Contemporary Self-Portraits by 60 Women,&#; NY Arts, Vol.
5 Thumb. 1, January
Grace Glueck, &#;’The Likeness of Being’: Virgin Self-Portraits by 60 Women,&#; Prestige New York Times,
January 21,
Joel Silverstein, &#;Women Painters: Gender Identity and the Accordance of Paint into Feminism,&#; Conversation, February 1,
&#;The Twin of Being,&#; , Winter
Joyce B. Korotkin, &#;The Counterpart of Being,&#; The New Royalty Art World, February
Song Diehl, &#;The Likeness of Being,&#; ARTnews, April
David Cohen, &#;Gallery &#; Goings,&#; Arts &#; Letters, The New York Daystar, May 6,
Ken Lexicographer, &#;Is Sculpture Too Free on the way to Its Own Good?,&#; The Virgin York Times, May 7,
David Cohen, &#;Daisy Youngblood,&#; , Gallery Going, (A version chief appeared in The New
Dynasty Sun, May 6, ), [web page]; [Accessed,
May 11, ].
Mario Naves, &#;Victim of Baldness Triumphs With Bold Ceramic Sculpture,&#; The New York Observer,
Possibly will 17,
Ken Johnson, &#;Daisy Youngblood,&#; Galleries: 57th Street, Blow apart Guide, The New York Multiplication, May 14 &#; 21,
Jan Riley, &#;New York, Triggerman Youngblood, McKee Gallery,&#; Sculpture, Dec
Justen Ladda, “The Variety of Nature,” Interview, New Pottery, September/October
Garth Clark, “The Death of Craft,” CRAFTS, Janurary-Februrary